Saturday, May 22, 2010

Ondine (Saturday, May 22, 2010) (43)

Ondine is a nice little movie by Neil Jordan about an Irish fisherman, Syracuse (played by Colin Farrell), who pulls a woman out of the sea in one of his nets. She is not forthcoming about who she is or why she was in the water and insists on staying out of the way of the locals in town.

Syracuse, known as Circus by his friends for his penchant for wildness, is a devoted father who has been struggling to kick alcohol and improve his life. He and his wife are divorced and she is in much worse shape than he is. He's a good, likable man and is very good father. His daughter Annie, physically disabled and in a wheelchair, decides that the woman, Ondine, is a silkie, a Scots-Irish folklorish mermaid-like lady who lives between humans and the ocean. Through the film it becomes more and more unclear whether she is some sort of magical creature or just a woman who fell in the water.

The movie is very nice and simple. The best thing about it is how Jordan never really lets us know the truth about Ondine (until the end). We recognize that this world is very real and supernatural stuff probably doesn't happen in it, but Annie is very convincing and for awhile it's the best option we have. I really like this mystery and how it is played. It's not insulting us - but showing how the people of this small coastal town are in a position (economically, culturally) that such an idea might be conceivable.

Colin Farrell is really great in this role. He is respectful to Ondine from the moment he meets her (and considering his boozing past, it's nice to see that he treats this gorgeous woman with such class). His character struggles with his sobriety, but he is clearly the most constant force in his daughter's life (she lives with her more drunk mother).

Ondine is played by Alicja Bachleda who is, again, beautiful and very convincing. I like that Jordan decided to have the character enjoy playing along with the mystery and not telling people what she really is. There's a wink-wink to her performance as she thinks the uncertainty about her humanness/silkieness is fun.

At worst, the film is a bit too slow and very small. There is nothing really brilliant about this, but also nothing bad either. I think having Annie in a wheelchair is unnecessary and silly, but whatever. It is a fun little real-world fairy tale and very nicely executed by Jordan.

Stars: 2.5 of 4

2 comments:

  1. Re "I think having Annie in a wheelchair is unnecessary and silly, but whatever."... But "having Annie in a wheelchair" is a LINCHPIN IN THE PLOT. Recall Ondine's wish. And the crash and hospital.

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  2. You're absolutely right - I just generally think children, animals and people in wheelchairs (especially children) is cheap and unrefined. I didn't think this point of her in the wheelchair was as central to the story as, say, Daniel Day Lewis in My Left Foot - but more of a clever device. An important plot point about a beloved dog losing his paw would have been annoying too.

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