Friday, March 4, 2011

Of Gods and Men (Friday, March 4, 2011) (11)

I heard amazing things about Of Gods and Men before I saw it (one friend said it is a "masterpiece"), so I had high hopes for it. What I got was a nice movie, with some great acting, but nothing super tremendous, really.

The story is apparently based on true events that occurred in the late 1990s in Algeria. There is a monastery of eight old French Catholic monks (the youngest one in his 50s) who lived in poverty and worked to help the people of a small village in the Atlas mountains. They have a very good relationship with the people, all of whom were Muslim, of course. They all study religious texts, including the Qur'an, read Arabic and communicated daily with the village elders on matters of faith and nuts and bolts issues about the area. Most importantly they run a health clinic, where Brother Luc (Michael Lonsdale) provides basic medical services (and even shoes) for hundreds of people in the area a day.

At some point there is a radical terrorist group ravaging the area and killing people, particularly Europeans who are there for development. When the brothers are asked by government officials to leave the monastery, in hopes of avoiding an international incident of a slaughter of monks, their leader, Brother Christian (Lambert Wilson) decides that it was their mission to stay the course. This creates tension in the group and they all have to look within themselves to see if they wish to stay and continue to help the people or if they are too worried about their lives and the wish to go.

The movie is pretty darn slow - which is typical of a movie about monks, who lead slow lives (see also: Andrei Rublev or Into Great Silence). It's not so much that it's boring, but that not a lot of stuff happens. We see their daily routines, from planting in their gardens and cleaning the floors to working in the health clinic, making food and, of course, praying. There are really only two main interactions with the terrorists, and most of the tension is that we expect the radicals will come at any point and we are waiting for them to show up.

There is a very interesting theological discussion here about whether the brothers should leave the monastery so they can be sure to continue to help others elsewhere or whether they should stick it out and not run, because the people they are serving are not able to run. It's not entirely clear which choice is more holy or if they are selfish or proud choices.

The film looks very nice - and is certainly helped by taking places in a totally beautiful part of the world, on mountain tops with amazing views. Director Xavier Beauvois and cinematographer Caroline Champetier do a wonderful job of making the Algerian countryside look lush, warm and plentiful. The acting is very good throughout, particularly the two leads (Wilson and Lonsdale) and Olivier Rabourdin, who plays Brother Christophe, the youngest monk who probably struggles the most with the decision. There is a lot of good stuff in this movie, but it all feels a bit dull and the aggressors (some generic Muslim terrorists) feel a bit un-scary and banal.

Stars: 2.5 of 4

2 comments:

  1. Well, I did enjoy this film. It is sort of Tarkovsky light. If you really listened carefully, it got less and less profound. The acting was very good, but also not profound. For me the best moment was the celebratory dinner when the camera, without dialogue, caught the entire span of emotions in the faces of the actors. Other wise, it was an above average film.

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  2. Above average is generous, but I'll take it; Tarkovsky-light is too generous. I mean, a film about monks reminds one of all monk movies and I certainly thought about Andrei Rublev... but I think the only real connection is the scene where they have to decide if their faith is stronger than their fears of being killed (sorta reminiscent about Rublev's discussion of the "depth of faith") - but it's not really as good or as deep as the Russian's... Maybe it's "no-calorie Tarkvsky".

    The acting is very good.

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