Sunday, November 13, 2011

Melancholia (Sunday, November 13, 2011) (99)

The opening of Lars von Trier's Melancholia is a wonderfully rich and sumptuous 20-minute sequence that shows the whole of the film en bref with Wagner's Tristan and Isolde pumped loudly behind the pictures. We see Kirsten Dunst getting married, then going crazy, then snow falling as Charlotte Gainsbourg runs with her small son (at least he's not falling out a window while she fucks Willem Dafoe in the shower this time!) and then a planet comes and hits the Earth destroying everything. That's basically the whole story in a nutshell and the rest of the two hours are a more-detailed, less interesting look at those bits.

It seems Kiki is getting married to Alexander Skarsgard and at her wedding, everyone is walking on eggshells knowing she's mentally rocky. Alexander's best friend and Kiki's boss is Stellan Skarsgard (isn't that nice- father and son are playing best buddies together!), her dad is John Hurt, who finally looks as old as he is, her brother-in-law is the humorless Kiefer Sutherland and the wedding planner is Udo Kier. (Together that's only one American there.) I dunno - at some point Kiki ruins her own wedding by insulting Stellan and then goes into a deep depression. Then it turns out that there's a rogue planet flying through the universe toward Earth. Kiki is pretty calm about it, but her family is less so and they all try to figure out what to do before the end of the world.

This is a very pretty film - particularly the 20-minute overture - but not really that interesting or compelling. There's an alienating baroqueness to LVT's style that's aesthetically unusual, but ultimately cold. This is really a melodrama pretending to be a psychodrama. In the end, Kiki is a type (a depressed person) and Gainsbourg is a type (a controlling sister) and Kiefer is a type (super controlling husband/brother-in-law) and the story is rather incidental.

LVT does use Tristan and Isolde very well here, though it's a really pretty bit of music. Kiki has one great moment, when she's telling off Stellan, but mostly she's just acting dour, which I don't think is very interesting. I guess her performance is exactly what the movie it: one great moment with a lot of other stuff also.

Stars: 2 of 4

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