Saturday, March 3, 2012

17 Girls (Saturday, March 3, 2012) (22)

The first think to know about Delphine and Muriel Coulin's film 17 Girls is that it's technically really great. Muriel worked for a time as an assistant camera tech on Kieslowski's French films and she knows how to shoot stuff and make it look really nice. The second thing to know about the film is that the lead actress, Louise Grinberg (OMG -- possibly a Jew?!!?), is one of the most gorgeous women ever on on the planet. The third thing to know about the film is that those first two things don't really matter, because it's such a silly story that it comes off as over-the-top and ridiculous, making it hard to relate to and a bit forgettable.

The film follows a clique of five girls who, when their leader, Camille (Grinberg), gets knocked up and then another girl seems to get knocked up, all decided they should all get pregnant and live in some later-day hippie commune, or something (apparently with no daddies around). Considering this group is so cool, other girls in the school also follow their lead and get pregnant.... until there are 17 of them.

Because it's French there is a commentary on post-War Modernist culture and the end of the industrial dream in former industrial coastal France (the film takes place in Lorient in Brittany). There's a lot of discussions with teachers and parents about how political an action this is (apparently it is loosely based on a story like this that happened in Glauchester, Mass a few years ago). The girls also discuss these things, though they seem to be grasping at straws more than any significant ontological and philosophical discussion.

There is a really nice mix of static and moving shots throughout the film. The last shot is particularly nostalgic and evocative as it tracks down a beach from the inland side of the dunes shooting people on the sand slightly out of focus. The story, however, is a rather silly and ties up in a cheap way.

The script is really the weakest part of the film -- which is saying a lot considering most of the girls are played by non-actors from the region. I think there's a nugget of a good idea here, but it doesn't develop in an interesting way. Either the third act should have been re-written or the whole thing should have been an existentialist short with an elliptical ending. What we get looks nice, but doesn't really feel like much.

Stars: 2.5 of 4

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