Thursday, June 7, 2012

Bernie (Saturday, June 2, 2012) (51)

Bernie is a very clever and funny comedy by writer/director Richard Linklater (co-written by Skip Hollandsworth). In era when auteurist theory dominates film thinking in the critical and popular world, I really appreciate Linkater's oeuvre as it seems like he makes movies that he likes and always tries to tell good stories. This is not to say that I love everything he does. I don't. In fact, I probably don't really connect to most of what he's made, but I recognize that he's very technically daring and accomplished. I also like that fact that he seems to have a more "blue-collar" way of approaching his craft, rather than making movies that are necessarily going to be popular or art-house darlings. I think there is some line from Sam Fuller (or was it Billy Wilder?) who once said something about how directing is a job and you have to go and do it. Linklater does it well and doesn't get bogged down in his cult of personality or his auteurist canonizers.

Bernie is based on a true story about the eponymous guy (Jack Black) who moves to the small town of Carthage in East Texas in the early/mid-'90s to work in a funeral home. It seems he is a bit of an eccentric for this tiny place, but also a multi-talented ball of energy. He's basically the best undertaker anyone has ever seen, brilliant at up-selling people on bigger and better caskets and more elaborate ceremonies. He's a singer in the funeral services he oversees as well as in the church choir. He's also involved in the town's community musical theater. He's probably gay, though in in East Texas in the '90s that's something that's only whispered about.

One of his biggest impacts on the community is that along with his standard work-related duties, he takes it upon himself to continue to look after the widows of the town after he buries their husbands. All the old ladies love him, and, like a world-class walker, he loves them back. One widow, however, is a bit harder than the others. Marjorie (Shirley MacLaine) is a bitter old crow who hates everyone, including her own family. Her husband was the richest man in town (oil money) and she has a team of people looking after her at all times.

After awhile, she starts to spend more and more time with Bernie and he becomes her main caregiver and helper. Meanwhile, she's a mean woman and treats him terribly. He decides one day to kill her, not because he's a bad person (he's quite the opposite), but really out of self defense from the psychological trauma. He then has to face the D.A., Danny Buck (Matthew McConaughey) when he's tried for her murder.

The film is mostly told through interviews with the townsfolk of Carthage. Linklater scripts their dialogue, but they are by and large people from that town who truly knew Bernie. These are generally funny and silly interludes between stretches of narrative, but really do effectively and efficiently move the story along and set a bright and fun tone. All these people really loved Bernie when they knew him and really hated Marjorie, so it's interesting to see how what they say directs our view of the story.

Bernie is a totally lovable guy -- in large part because Jack Black is really great in the role. In most of his movies, I find Black to be a bit too big for life. His outsized temperament is generally too big for the films he's in and he falls back too frequently on cheap physical comedy. Here he's much more restrained and really gives us a lot of soul with the comedy.

Bernie is clearly a lonely and nice guy who sorta doesn't belong where he is (perhaps he would have done better in a bigger city or not in Texas). He's somewhat pitiful, which also adds to the humor of the story. When he gets dressed up to sing "76 Trombones" in a local production of The Music Man, it's silly because the costume doesn't fit well around his weird body, but there's also a sadness and desperation to his situation that's implied.

I also have to mention that Shirley MacLaine is really wonderful in this role. She's totally bitter, mean and unlovable... and yet we're weirdly attracted to her still... just like Bernie is. MacLaine's body of work is really amazing and over the years she's really mastered a keen ability to play straight characters in dark comedies. Yes, this role is not the same as her Fran in The Apartment or her Ginnie in Some Came Running, but we get a similar sense of a character at the end of her rope, and again, a deeply sad context.

This is a really good movie. It's funny and sad, it's efficient and original. I'm not sure how it will hold up over time, as it sorta feels small, even compared to other Linklater films, but it's really well made and well acted.

Stars: 3.5 of 4

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