Thursday, January 20, 2011

The Illusionist (2010) (Thursday, January 20, 2011) (179)

The Illusionist is a very charming and lovely animated feature that is based on an unfinished Jacques Tati screenplay that was never produced. It is made by Sylvain Chomet, the animator/writer/director behind The Triplets of Belleville, which was a very Tati-esque movie in its own right.

In the film there is an old magician traveling around France and Britain performing shows in the 1950s. As he goes to theater after theater, his audiences get smaller and smaller as the rock 'n' roll boom is just picking up at the same time. He ends up in the Hebrides, or some very remote and northern islands in Scotland, and there meets a young girl who is fascinated by his tricks. She doesn't understand the illusions he's performing and honestly thinks he's doing real magic and conjuring. Totally mystified and in love with the idea of what he does, she follows him when he leaves her village to take a gig in Edinburgh. There she is a small-town girl in the big city and the illusionist has to look after her as he tries to make a living from his tricks.

There is a wonderful joy and simplicity to this film that is rarely seen anymore. There is almost no dialogue at all throughout the film. The man speaks in simple French sentences whenever he does speak. The girl chips away in gibberish, or Scots-Gallic, perhaps, and nobody can understand what she's saying. Most of the time there's melancholy music and noise from the outside world. This brings a very cozy and sweet tone to the whole film that is really wonderful.

This film has been nominated for the Best Animated Film by the Oscars and it has no chance of winning, but it's totally deserving of the nomination. It's been 50-some years since Tati was last nominated for a significant award and this work is as much his as it is Chomet's.

Stars: 3 of 4

1 comment:

  1. I'm so glad you liked the film. It's one of my favorites of the year -- gentle, sweet, romantic and bittersweet. The finale had a hushed, lovely quality which as you say is very rare. It was absurd to turn a Tati screenplay into a film -- who could replace him in the lead? - but an animated film was the perfect solution. What's next? An animated version of an unproduced Charlie Chaplin script?

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