Monday, January 23, 2012

Page One: Inside the New York Times (2011) (Monday, January 23, 2012) (144)

Page One: Inside the New York Times is a documentary that follows the Media desk of the New York Times during the end of 2009 and early 2010. One of the main characters of the film is Media columnist and reporter David Carr, and with his rough Upper Midwest voice, he takes on all attackers who claim that the paper is going under and that the days of broadsheet print are over.

Throughout the film stories pop up, get discussed, are printed and then forgotten. We see the first WikiLeaks video dump showing US armed forces killing Reuters journalists, we see the late-2009 withdrawal of combat troops from Iraq, we see the Tribune Company fall apart. With each story it is clear that the editors and writers of the Times are serious thinking people who try to look at more than one side of the issue.

Meanwhile, from every angle, they are under attack from other journalists and news media players such as blogs and news aggregators who claim that the world wouldn't be so bad if there were no more Times. Each time this comes up, director Andrew Rossi shows that the claim is worthless without a full consideration of the ramifications of such a situation. The New York Times is the originator of many stories each day and a world without it might very well be a worse place.

This is clearly a glamor project that shows how wonderful and smart everything surrounding the New York Times is. There are brief mentions of the Carlos Slim loan to the Times, the new building and it's sale-leaseback deal, the new pay-wall on the website and the buyouts of old staffers. Mostly we see how a bunch of young (mostly) good looking (mostly) men make tough decisions all the time.

I generally don't like films like this that come off as much as an advertisement for the subject as a document about it, but this is generally not too offensive. It is interesting and clever how stories come and go through the film just as they do on the front page of the paper. Still, it sometimes seems like a movie with no plot and no beginning or end.

Stars: 2.5 of 4

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